CAPTAIN AMERICA: THE WINTER SOLDIER
Release Date: 26 March 2014 (UK)
Director: Anthony Russo, Joe Russo
Running Time: 136 Minutes
Starring: Chris Evans, Scarlett Johansson, Sebastian Stan, Cobie Smulders, Anthony Mackie, Robert Redford, Samuel L. Jackson
Screening Reviewed: London Press Screening
Reviewed by Kyle Pedley
Marvel Studios, and in particular their producer
extraordinaire Kevin Fiege, cannot be championed enough for the consistently
terrific work they have been doing over the course of the last 6 years with
their 'Marvel Cinematic Universe'. Since the 2008 release of Iron Man, they have cemented themselves
as the dominant creative force in the superhero genre, a new tentpole of the
blockbuster market that they have not only been enormously instrumental in
establishing so successfully, but also one that their efforts have seen
confidently go toe-to-toe with the likes of Nolan's Batman universe and last year's
Superman reprise and still come out smiling. What remains particularly
commendable is how consistently entertaining, characterful and diverse their
output has been, brilliantly capturing the tone and identity of the comic book
characters they clearly invest a tremendous amount of passion and enthusiasm
into realising on the screen, and masterfully weaving the overriding 'Avengers'
narrative with distinctive, individual solo stories for their roster of
characters. It has been so almost flawlessly executed (Iron Man 2 was regarded as something of a mixed bag) that both fans
and cinemagoers have been kept wondering when, and if, the Marvel magic is going
to lose its fire, and which will be the first release to truly drop the
superhero ball as it were.
2012 saw the megahit that was Joss Whedon's The Avengers (Avengers Assemble in the
UK) hit new heights in terms of both creativity and box office/critical
success, and last year saw two perfectly solid and entertaining sequels in the
form of Iron Man 3 and Thor: The Dark World. And now, the first
of Marvel's 2014 releases sees what is in many ways The Avengers' most direct follow-up yet in the form of Captain America: The Winter Soldier.
Featuring no less than 3 of the central Avengers'
characters, as well as a plot revolving very heavily around the key S.H.I.E.L.D
organisation, Winter Soldier had a
lot of aces in play and was managing a lot of key components within their
'cinematic universe'. If any film was going to be the one to go overboard or hit
a snag, it was looking increasingly likely that this would be it.
Fortunately, the reality couldn't be any further from that
being the case. By taking the spectacle and craft of the preceding films and
mixing them in with a surprisingly efficient and involving politically-charged
script, Captain America: The Winter
Soldier is taut, thrilling moviemaking which stands head and shoulders
with the finest marvel, and indeed the genre, can offer.
Steve Rogers, A.K.A Captain America, is continuing to try
and find his place in the new world he has awoken into, settling into the way
of modern life since the events of his thawing and The Avengers. Occasionally partnered with fellow Avengers Natasha
Romanoff A.K.A Black Widow (Scarlett Johansson), the two have formed a mutual
respect and friendship which, mercifully, the film doesn't attempt to shoehorn
into anything more than that. After a breathtaking opening mission, signs begin
to show that all is not well with their directive organisation S.H.I.E.L.D,
with suspicion and cast falling upon
even its current director, and Rogers' mentor of sorts, Nick Fury (Samuel L.
Jackson). As the tension and distrust begins to mount and an assassination is
put out on a key figure, Rogers and Romanoff must team up to uncover the truth
behind the growing threat which goes deeper than they feared and transpires to
have both global ramifications and a new foe in the form of the formidable,
titular Winter Soldier.
The first half of Winter
Soldier in particular operates more as a somewhat heightened political
thriller as opposed to typical superhero fare, and writers Christopher Markus
and Stephen McFeely (who also penned last years Thor: The Dark World) and directing duo Anthony and Joe Russo do a
superb job of crafting a tense, engaging interplay of subterfuge, mistrust and
even political paranoia whilst also injecting plenty of the universes
quintessential visual flair and action. The characters, likewise, continue to
shine, and whilst Captain America himself naturally has to be something of a
fairly linear, wholesome figure by necessity (if a little more willing to defy authority here), there is a very welcome development and rounding out of the likes of
Scarlett Johansson's Black Widow and Samuel L. Jackson's Nick Fury in
particular. Whereas in previous films they've been more streamlined and broad
as characters, here they really begin to feel like dimensional, nuanced
individuals, and both Johansson and Jackson continuing to put in spirited, charismatic
performances.
Still, there's no mistaking this as anything other than a
superhero outing, and there's no feeling of genre confusion or an attempt to
steer away from the tropes and expectations of the genre. The fight choreography
and action sequences are exquisitely shot and extraordinarily well
choreographed; frenzied yet fluid to the point of being almost balletic, and all
masterfully edited to produce by some margin the franchises most thrilling and
well-executed action yet. Indeed, by the
time the suitably grandiose and showy finale comes round and the set pieces
have become increasingly more spectacular and showy, as clever, twisting and
involving as Winter Soldier's narrative
may be, masterfully dipping in and out of the Captain America back-story to powerful effect, even the most ardent
adrenaline junkie should find themselves utterly satisfied by the terrific
action and opulent carnage on display.
It isn't perfect by any means. For all of the genuinely brave
and surprising twists and developments that the story throws at us (some of
which will genuinely shock fans of the franchise), there are a couple of
moments that feel so obvious and signposted that I had hoped they were in fact
double bluffs due to their glaring predictability. Similarly, within the confines of the post-Avengers universe that has been established by Marvel, it is difficult to fathom Robert Downey Jnr.'s Tony Stark/Iron Man not finding himself interested or involved in such pivotal and relevant events. Robert Redford is brilliant
as predominantly featured S.H.I.E.L.D executive Alexander Pierce, admirably steering
away from hamming up his role and instead grounding it in an earthy reality,
with Redford's presence alone naturally helping to sell the conspiracy thriller
elements of the plot that there are given his earlier filmography (Three Days of the Condor, in
particular, is evoked here, as well as shades of The Manchurian Candidate). But again, some of the directions his character
is taken in feel a little obvious from the offset. Still, Redford is a very welcome
addition to the franchise, and is a decidedly more engaging character than
fellow newcomer to the series Anthony Mackie, whose Sam Wilson is far more
interesting earlier in the film as a figure of empathy for Rogers when touching
upon issues of survivor guilt and post traumatic stress than when he suits up
as 'The Falcon' and essentially becomes Iron Man-lite.
Captain America: The
Winter Soldier is an all round extremely well-crafted and consistently
entertaining and involving film. Its conspiracy thriller flavourings come from
a balanced, intelligent script that may compromise a little on personality and
humour at times, but feels more impacting and meaningful for taking its core narrative
so seriously. It offers some key developments for the Avengers franchise that were genuinely surprising to have taken
place in a solo outing and sequel such as this, and overall feels like by some
measure the most important instalment since The
Avengers back in 2012. Yes, it's still a touch silly in places, but this is
Marvel we are dealing with after all, and not another foray into Nolan territory,
and the quintessential injection of occasional tongue-in-cheek nudging and
winking or absurdity and the likes of another hilarious Stan Lee cameo all feel
natural and par for the course.
At times almost breathlessly entertaining and boasting an
intelligent, twisting narrative peppered with terrific action and continually
well realised characters, Captain
America: The Winter Soldier is another class act outing from Marvel studios,
and is in many ways their strongest film yet. You'll want to be familiar with
at least the original Captain America
as well as The Avengers to get full
mileage here, but even those who aren't will find a surprisingly mature and
confident thriller wrapped in plenty of superhero spectacle and excitement as
well as that quintessential Marvel ingredient: Fun.
(A)MUSINGS RATING - *
* * * (4 out of 5 Stars)
MUSINGS:
+ Redford, Jackson and Johansson crackle with authenticity
and charisma
+ Surprising conspiracy/political thriller approach that
works well
+ Brilliantly executed choreography, action and set pieces
+ Feels important and impactful to the overall saga
+ Winter Soldier himself is an effective adversary
- Cap Am himself is still a touch bland
- Trades off on the franchises trademark humour somewhat
- The Falcon is a little lacklustre and derivative
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Press access for this screening of Captain America: The Winter Soldier was provided by Walt Disney Motion Picture Studios UK. (A)musings Media gratefully acknowledges their generous invitation.
Aweomse review bro. Stoked that everyone is saying its the best avengers film yet!
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This is a great movie, probably the best Marvel sequel. We loved it. We are working on a homage to Captain America in blue sheepskin leather. Check it out next week.
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A substantial disappointment after 2011's better-than-expected Captain America: The First Avenger...
ReplyDeleteA solid example of meat-and-potatoes popcorn filmmaking--befitting that most meat-and-potatoes of comic book heroes.
ReplyDeleteThe best Marvel film to date explores government overreach, the real and perceived threats to national security and how true American values will always win out over false ones.
ReplyDeleteThe primary arc of the movie is very well done. It manages to keep enough hidden to be suspenseful while also not feeling like totally random events are just happening for no reason. The ending sequence is a great way to spend a lot of money on special effects, but plot-wise it doesn't make much sense.
ReplyDeleteIronman only has the one primary character, and Avengers has a few too many, but Cap2 seems to land in the sweet spot with two main characters and a third that joins midway in.