Showing posts with label Oda Mae Brown. Show all posts
Showing posts with label Oda Mae Brown. Show all posts

Wednesday, 3 July 2013

THEATRE INTERVIEW - Stewart Clarke (Ghost the Musical)





GHOST THE MUSICAL INTERVIEWS:
Part Two - Stewart Clarke (Sam)

Fresh off of it's run at the Wolverhampton Grand Theatre last month, and garnering a 5 star rating from us here at (A)musings (click here for Kyle's full review), the superb Ghost the Musical made a pitstop at the opulent Laurent Perrier champagne bar in Birmingham on a fittingly drizzly Thursday afternoon (fans of the show will understand) for a launch event to promote it's run at the New Alexandra Theatre this coming December.

Last time we brought you editor Kyle's interview with leading lady Rebecca Trehearn (which for those who have not yet read it can be found here) and in this second part he talks to the shows leading man and local-lad-done-good Stewart Clarke...



Stewart Clarke (Sam) at the Birmingham
launch of Ghost the Musical last month

Well Stewart, thank you very much for your time!

No, it’s fine!


So we saw the show in Wolverhampton last week and loved it, but we’ll kickstart for the uninitiated - how would you describe the experience of Ghost the Musical in a nutshell?

Well it’s a heart-wrenching tale of this undying love that triumphs through adversity, and how people deal with loss and how they move on from that. But underneath all that it’s a thrilling tale of action and deceit and all sorts. It’s a great show, I love it.

Tuesday, 18 June 2013

THEATRE INTERVIEW - Rebecca Trehearn (Ghost the Musical)




GHOST THE MUSICAL INTERVIEWS:
Part One - Rebecca Trehearn (Molly)

Fresh off of it's run at the Wolverhampton Grand Theatre this past fortnight, and garnering a 5 star rating from us here at (A)musings (click here for Kyle's full review), the superb Ghost the Musical made a pitstop at the opulent Laurent Perrier champagne bar in Birmingham on a fittingly drizzly Thursday afternoon (fans of the show will understand) for a launch event to promote it's run at the New Alexandra Theatre this coming December.

Editor Kyle attended the launch, conducted the photocall at the end and sat down for a chat with the show's leads. Today we bring you the first in a set of three interviews for the show, beginning with it's wonderful leading lady, the delightful Rebecca Trehearn...


Well Rebecca, thank you very much for your time!
Rebecca Trehearn (Molly) at the Birmingham
launch of Ghost the Musical last Thursday


My pleasure!




We saw the show in Wolverhampton last week, but before discussing Ghost, I was just wondering if we could talk about yourself a little first, and how you got into acting and musical theatre. Was it something you always wanted to do?

Yeah, it kind of was. I started very young because I grew up in North Wales, and singing and performing is very much a part of the culture there, I would say. There’s an annual competition called the Eisteddfod that kind of moves around the country, but basically you can do choral singing or solo singing or a specific Welsh form of singing, so I started competing as a singer there when I was 7 or 8, something like that, and then joined a local Am Dram group when I was 9 and I never really looked back.

I did my first professional theatre job when I was 10 or 11, I can’t remember! But I’ve been doing it ever since... I have no other skills! (laughs).

Wednesday, 5 June 2013

GHOST THE MUSICAL - THEATRE REVIEW




GHOST THE MUSICAL AT THE WOLVERHAMPTON GRAND THEATRE

Theatre Run: Tuesday 4 - Saturday 15 July 2013
Performance Reviewed: Tuesday 4 June (Press Night)

Reviewed by Kyle Pedley

Reviewing both West End and touring productions can sometimes be a slightly disjointed affair, and the expectations taken to the London boards have to sometimes be a touch tempered for their touring and regional counterparts. That’s not to suggest any abject inferiority or personal preference, but often the sheer practicality and demands of a production going on tour and repeatedly moving venues, often allowing no more than a days setup time, requires natural compromises be made when it comes to staging, more elaborate mechanics or flats, and generally a less cohesive and ambitious affair than London or otherwise permanent shows can usually offer.