JERSEY BOYS - THEATRE REVIEW

JERSEY BOYS AT THE NEW ALEXANDRA THEATRE, BIRMINGHAM

Theatre Run: Tuesday 9 December 2014 - Sunday 4 January 2015
Performance Reviewed: Wednesday 10 December 2014 (Press Night)

Reviewed by Kyle Pedley

There’s something regrettably formulaic and inevitable about most biographical actor-musician pieces of theatre of late. It’s a format that often leans far too heavily on familiarity with its soundtrack and the spectacle of a Bolan or Lennon being re-imagined and strutting around on stage, and the notable casualty comes in the form of any compelling narrative shape or use of theatre as an artistic medium in it’s own right. Truth may indeed be stranger than fiction, but when so many of these shows race through the ‘true story’ with haphazard abandon, presenting more a career ‘greatest hits live’ than a focused piece of theatrical storytelling, it isn’t hard to end up feeling your evening would have achieved the same effect in the hands of Youtube or Google. The customary ‘talented boy does good, hits the heights of fame, leads to personal/family/suffering wife problems’ second Act trope being rolled out ad infinite usually only underlines how de rigeuer and stale it has all become.

JANE MCDONALD - THEATRE INTERVIEW

PANTOMIME INTERVIEWS 2014:
Jane McDonald - Jack and the Beanstalk (Birmingham Hippodrome)

Last week, we brought you a review of Loose Woman, Singer-Songwriter and all-round National Treasure Jane McDonald's latest UK Tour, Singer of Your Song, citing it as 'classy', 'tour-de-force' and 'supremely impressive'. This week, in the second part of our Jane triple-dip, Kyle caught up with her at the Birmingham Hippodrome to discuss her upcoming panto debut in Jack and the Beanstalk, the inspiration behind her first album in six years, and how it feels to be in greater demand than ever 16 years after first rising to success.

By Kyle Pedley.

Interview conducted Friday 12 September 2014.

Jane as she will appear as 'The Enchantress'
in Jack and the Beanstalk

Jane, thank you so much for your time...

My Pleasure!

Now, you seem to be busier than ever at the moment, between your new album, touring with sold out live shows, and now the Panto. How are you finding it all?

Well to be quite honest I’m a bit shocked I’m that busy, because I’ve been doing this for quite some time now and I keep thinking it’s going to slow down, and every time I come out of something, I think ‘Right, I can put my feet up a little bit more now’, but actually the time just gets filled with something else. 

DIRTY DANCING - THEATRE REVIEW

DIRTY DANCING AT THE WOLVERHAMPTON GRAND THEATRE

Theatre Run: Tuesday 23 September - Saturday 11 October 2014
Performance Reviewed: Wednesday 24 September (Press Night)

Reviewed by Kyle Pedley

As far as labeling goes, Dirty Dancing is something of a tough cookie (watermelon?) to define. It can’t strictly be classed as a musical - the show’s marketing carefully labelling it ‘The Classic Story On Stage’ - yet certainly offers some of the flavouring and ingredients of one, though when members of the company occasionally take to a microphone to sing it is more often than not contextualised within the show’s own universe.  There is, unsurprisingly, plenty of dance showcased front and centre, though one could even make an argument for that not being it’s principle MO. What we are left with, then, is a makeshift hybrid of sorts, a synergy which lifts and borrows components of different genre’s and approaches and, under the familiar and beloved template of it’s 1987 movie namesake, surprisingly harmonises them into a thoroughly feel-good and irrepressibly vibrant evening of pure entertainment. Yes, it’s formulaic, safe and almost cookie-cutter in it’s approach to narrative (and, it has to be said, comedy) and there’s enough cheddar in there to make France lactose intolerant, but in reality audiences going in to watch Dirty Dancing aren’t likely to be expecting Sondheim.

JANE MCDONALD: THE SINGER OF YOUR SONG - UK TOUR REVIEW

JANE MCDONALD: THE SINGER OF YOUR SONG AT THE WOLVERHAMPTON GRAND THEATRE

Theatre Run: Wednesday 17 September 2014 (One Night Only at Venue)
Performance Reviewed: Wednesday 17 September 2014

Reviewed by Kyle Pedley

It seems almost journalism-on-autopilot to preface a review of Jane McDonald’s live show by harking back to BBC reality show The Cruise, the surprise hit which saw the singer achieve celebrity practically overnight, but if there is one thing made abjectly clear throughout Singer of Your Song, her latest UK tour, McDonald is not afraid, dismissive or remotely embarrassed of what has come before. 16 years since Cruise made her a household name, and not only is her career continuing to go from strength-to-strength, opportunity and schedule afforded now by her departure earlier this year from daytime chat show Loose Women, but if her performance at the Wolverhampton Grand was anything to go by, her abilities and prowess as a singer-songwriter are enjoying similar boons.

Named after her recent album release, the first she has recorded in 6 years, Singer of Your Song not only showcases an incredibly versatile and powerful voice, but also bounces along with real vim and whimsy with the same genuine, unassuming natural charisma that won the Nation’s hearts back in ’98. On paper it’s a combination that perhaps strictly speaking shouldn’t gel - a cheeky segment of ad libbing or lamenting the woes of the aging body casts the theatre in a playful, tongue-in-cheek mood as Jane the comedienne takes centre stage, whilst minutes later a barnstorming, tour-de-force rendition of Love Is All can be threatening to raise the roof and take the audience with it. It sounds too incongruous to work, yet McDonald finds the truth in it all, both the grandiose and the giggles, with her irrepressible, everyday charm and authenticity making the whole show work effortlessly. Her healthy dose of self-awareness and more than a soupcon of self-deprecation keeps the audience won over and on-side and the feel-good factor consistently high throughout.

CATS - THEATRE REVIEW

CATS AT THE BIRMINGHAM HIPPODROME

Theatre Run: Tuesday 09 - Saturday 27 September 2014

Performance Reviewed: Wednesday 10 September (Press Night)

Reviewed by Kyle Pedley

'Memory' seems to be a very potent ingredient in the tastes and penchants of current theatre-going audiences. As noted in my review of London's highly successful and celebrated Miss Saigon revival last month, there is clearly a demand and yearning for the familiar both in the West End and beyond, as nostalgia and the proven seem to be edging out the original and unknown. By no means is this particularly unusual or new, we live in a creative climate where the industries' Olivier awards have an entire category dedicated to revivals in recognition of their number and popularity, but it does seem to have hit something of a boiling point in recent years. Fortunately, for all of the pedestrian, perfunctory cash-cow productions being rolled out to ride this particular wave of demand, it also is the perfect environment to witness the return of some true musical greats, amongst which Andrew Lloyd-Webber's cherished and prolific Cats undoubtedly deserves to be classed.

MISS SAIGON - THEATRE REVIEW

MISS SAIGON AT THE PRINCE EDWARD THEATRE, LONDON

Theatre Run: Continuing
Performance Reviewed: Thursday 31 July 2014

Reviewed by Kyle Pedley

‘Out with the new and in with the old’ seems to be the current dominant ideology pervading the West End at the moment, as even new productions by the industries’ heaviest hitters flounder whilst revivals and re-imaginings wade in over their corpses to rapturous reception and unprecedented box office (this show supposedly broke London pre-order ticket records). A trifle melodramatic an opening, perhaps, but one that is both true and quite tonally fitting for Cameron Mackintosh’s lavish, celebrated resurrection of the mawkish, histrionic yet spectacular Miss Saigon. Lloyd-Webber and Rice recently brought us the likes of Stephen Ward and From Here To Eternity respectively, and London even dipped its toe into the mass mass market with Harry Hill and Simon Cowell X-Factor pastiche vehicle I Can’t Sing. An ecclectic and diverse musical trifecta, yet all three suffered poor sales and abrupt, early closure, and in their place we have seen West End return announcements for the likes of Cats, Evita and, of course, Saigon. 

WICKED - THEATRE REVIEW

WICKED AT THE BIRMINGHAM HIPPODROME

Theatre Run: Wednesday 09 July - Saturday 06 September 2014

Performance Reviewed: Thursday 10 July (Press Night)

Reviewed by Kyle Pedley

Wicked will cast it's spell upon you... Wicked is wicked-ly good... Spellbinding!

With that obligatory bit of housekeeping out of the way, it's almost difficult to comprehend what to say about musical colossus Wicked that hasn't already been said countless times over. One of the most celebrated and successful musicals of the 21st Century, it is an internationally renowned mega-hit whose adoration (and ticket sales) show no sign of dwindling any time soon. Winnie Holzman's adapted tale that takes a canted look at the witches of Oz (taken from Gregory Maguire's more morbid book of the same name) combined with Stephen Schwartz's already-iconic music has leapt into our collective cultural consciousness and tapped into a generational zeitgeist in a way that most other musicals could only dream of.  And now, as the show takes off on its first ever UK and Ireland tour, the fervour and excitement in Birmingham and the surrounding area for the show's arrival at the city's Hippodrome theatre has been at fever pitch, showing that these witches are as 'popular' as ever and just as adept at defying expectations as they are gravity.

THEATRE INTERVIEW - Nikki Davis-Jones (Wicked)

WICKED INTERVIEWS:

Part One - Nikki Davis-Jones (Elphaba)

Wicked flies on in to the Birmingham Hippodrome next week as part of it's first ever UK and Ireland tour, and we are celebrating the occasion with a pair of interviews with the two of the show's leads.

In this first part, Kyle sits down with actress Nikki-Davis Jones, who plays Elphaba in the show, and discusses how Wicked is proving to be the gift that keeps on giving...

By Kyle Pedley.

Interview Conducted Thursday 24th April 2014.

Nikki Davis-Jones as Elphaba
in Wicked

“I’m clearly not very good in auditions!”

It’s a modest dash of self-deprecation from the lady who has bagged one of musical theatre’s most coveted leading roles, and further indicative of a warm, humble personality that likewise may initially seem at odds with the role she has been drafted in to play. But such humility is not without context and reasoning, with a string of standby and cover roles in shows such as Blood Brothers and Mamma Mia that led to eventual promotions being the career pattern for actress Nikki Davis-Jones thus far.

That was before a certain green-skinned opportunity came flying in on a golden broomstick and looks set to change her career ‘For Good’.

SHOW BOAT - THEATRE REVIEW

SHOW BOAT AT THE BIRMINGHAM HIPPODROME

Theatre Run: Wednesday 02 - Saturday 05 July 2014

Performance Reviewed: Wednesday 02 July (Press Night)

Reviewed by Kyle Pedley

Birmingham certainly seems to be getting into the 4th July spirit this year, serving up a double dose of all-American Classic Musical goodness as Cape Town Opera’s Show Boat rolls into town for the week at the Hippodrome, following Annie Get Your Gun which kicked off it’s run at the New Alex yesterday evening (and garnered a 3 star review from us). But whereas Annie Get Your Gun seemed to be a strangely muted and subdued affair that didn’t live up to it’s glimmers of potential and pedigree, Show Boat is undoubtedly the real deal; a big, grand, hugely impressive slice of classic musical theatre writ large and executed with scope and grandeur that nevertheless displays extraordinary attention to detail.

ANNIE GET YOUR GUN - THEATRE REVIEW

ANNIE GET YOUR GUN AT THE NEW ALEXANDRA THEATRE, BIRMINGHAM

Theatre Run: Tuesday 01 - Saturday 05 July 2014
Performance Reviewed: Tuesday 01 July 2014 (Press Night)

Reviewed by Kyle Pedley

The Ambassador Theatre Group have once more dipped into the barrel of great classic musicals this year to lovingly resurrect Irving Berlin’s Annie Get Your Gun, based on the original film and stage musical depicting the (fictionalised) life and times of legendary real-life sharpshooter Annie Oakley. It’s from a creed and calibre of musicals that many will still herald as a ‘golden era’ of sorts, that still-adored pocket of the 1950’s and early 60‘s in particular where the likes of Berlin, Rodgers and Hammerstein and co were a major force in Hollywood and Broadway, and were irreversibly shaping and defining the musical genre as a whole.

DOLLY PARTON: BLUE SMOKE WORLD TOUR - REVIEW

DOLLY PARTON: BLUE SMOKE WORLD TOUR AT THE LG ARENA, BIRMINGHAM

Tour Dates: Until Wednesday 2 July 2014 (UK dates), 14 July 2014 (International)
Performance Reviewed: Sunday 22 June 2014

Reviewed by Kyle Pedley

As the undisputed Queen of Country drew a crisp, powerhouse a capella rendition of ‘Little Sparrow’ to a close at Birmingham’s LG arena this evening in the second act of her Blue Smoke World Tour, it was difficult to fathom what superlatives could be reached for to do this veritable legend of the music industry, and entertainment industry as a whole, justice suffice. The enamored audience had already been treated to an impressively diverse catalogue of hits old and new (including highlights from the titular new album), and many of her prolific, signature numbers were still to come, but it was surely with the reflective, almost mournful ‘Little Sparrow’, it’s stripped back, minimalist staging and Parton’s faultless vocal that the irrepressible charm, charisma and undeniable genius of Miss Parton was at it’s most raw and irrefutable.

DAWN FRENCH: THIRTY MILLION MINUTES - UK TOUR REVIEW

DAWN FRENCH: THIRTY MILLION MINUTES AT THE NEW ALEXANDRA THEATRE, BIRMINGHAM

Theatre Run: Wednesday 18 - Friday 20 June 2014
Performance Reviewed: Wednesday 18 June 2014

Reviewed by Kyle Pedley

Dawn French’s first ever solo tour (yes, really), Thirty Million Minutes, is prefaced with an announcement that this is a show specifically for ‘nice’ people, and anybody critical, cynical or otherwise negative do not belong there. It dovetails off of that same well-meaning, bubbly, inoffensive and down-to-Earth vibe and persona that French has cultivated pretty much faultlessly across her career. It’s the same warmth and cuddly bonhomie that made The Vicar of Dibley such an irrepressibly lovable show, even when some of it’s plotting or narrative work was a trifle humdrum. It’s why French remains such a beloved and well-regarded National treasure - she genuinely registers as a nice person herself, and, just as crucially, a very empathetic and real one.

DESIGN FOR MURDER - THEATRE REVIEW

DESIGN FOR MURDER AT THE WOLVERHAMPTON GRAND THEATRE

Theatre Run: Tuesday 17 - Saturday 21 June 2014

Performance Reviewed: Tuesday 17 June 2014 (Press Night)

Reviewed by Kyle Pedley

PLEASE NOTE: There is a lack of supplemental images in this review due to there being no production stills of Design for Murder available.

ID Plays’ Summer Season 2014 at the Wolverhampton Grand continues this week with Design for Murder, a self-proclaimed ‘psychological drama’ as opposed to the more atypical murder mystery mould it’s title may first evoke. After a mixed audience and critical response to the season’s first show, Ladies in Retirement, it is encouraging to see ID springing back to form with a cracking, twisty-turny evening of drama, intrigue and even the odd giggle. Design for Murder may not be anything the estates of Conan Doyle or Christie need worry about, but it is nonetheless a consummately entertaining piece of theatre that is genuinely intelligent in places, has the decency to not take itself too seriously and offers enough U-turns and revelations to keep even the most ardent Marple enthusiast second guessing right up until the end.

THEATRE PREVIEW - ANNIE GET YOUR GUN

ANNIE’S GOT HER GUN AND IS HEADING TO BRUM!

Jason Donovan leads the cast of a major new production of Irving Berlin’s Annie Get Your Gun as it rolls into town at the Birmingham New Alexandra Theatre next month!

Dates: Tuesday 01 - Saturday 05 July 2014

Preview by Kyle Pedley

The West Midlands is readying to welcome back Aussie star of stage, screen and the pop charts, Jason Donovan, as he heads up a major new revival of the beloved, Tony Award-winning Musical Western classic, Annie Get Your Gun. He will appear alongside TV, Film and Theatre star Emma Williams, who will be playing the title role of Annie Oakley and Normal Pace as Buffalo Bill in the new production from the producers of recent revival hits South Pacific and West Side Story.

GOOD PEOPLE - THEATRE REVIEW

GOOD PEOPLE AT THE NOEL COWARD THEATRE, LONDON

Theatre Run: Runs until Saturday 14 June 2014
Performance Reviewed: Thursday 05 June 2014

Reviewed by Kyle Pedley

Good People is ostensibly a show about class. Or rather peoples relationship with class and the social, financial and even emotional barriers it places upon oneself. Do we allow ourselves to be both defined and confined by our roots and upbringing, or is the idea of any choice in the matter a fickle illusion orchestrated by a mixture of luck and lifes happenstance? It’s a concept that is far from new to theatre, but in this, David Lindsey-Abaire’s Boston-set drama, it is given fresh life and perspective by dint of being filtered through the American psyche and in the form of two flawed, interesting, contradictory yet strangely complementary lead roles beautifully performed by Imelda Staunton and Lloyd Owen.

THIS MAY HURT A BIT - THEATRE REVIEW

THIS MAY HURT A BIT AT ST JAMES THEATRE, VICTORIA

Theatre Run: Wednesday 14 May - Saturday 21 June 2014
Performance Reviewed: Thursday 05 June 2014 (Matinee)

Reviewed by Kyle Pedley

Going into Stella Feehily’s satirical take on the NHS, This May Hurt A Bit, one would be forgiven for expecting an onslaught of left-wing sentimentality or political bulldozing. The shows marketing and poster colourfully depicts a caricatured David Cameron skulking into the labyrinthine ward of a sickly woman like some nightmarish imp and the programme itself begins with an impassioned plea by Jacky Davis of ‘Keep Our NHS Public’ to rally against the devilry and smoke-and-mirrors of the coalition's treatment of the National Health Service.

MALEFICENT - FILM REVIEW

MALEFICENT

Release Date: 28 May 2014 (UK)
Director: Robert Stromberg
Running Time: 97 Minutes
Starring: Angelina Jolie, Sharlto Copley, Elle Fanning, Imelda Staunton, Lesley Manville, Juno Temple
Screening Reviewed: London Press Screening

Reviewed by Kyle Pedley

The biggest fallacy that must be quashed immediately when addressing Disney’s live action Maleficent is that it is somehow an alternative take upon the events of their 1959 animated classic Sleeping Beauty. This is not, as the studio has gone to pains in an attempt to paint out via it’s marketing and pre-release hype, a film which seeks to flesh out it’s characters and shift perspective on how and why the titular character fell to villainy, but rather an entirely different story made piecemeal by dint of a few familiar scenes, a handful of shared characters and the deliberately vague narration that attempts to dismiss the original film as a distorted version of the actuality it goes on to supposedly portray. The problem is, Maleficent doesn’t so much fill in the gaps and paper over the cracks of Sleeping Beauty as much as it wallpapers over the whole thing with an altogether different and at times completely juxtaposing series of events and characters.

ONE MAN, TWO GUVNORS - THEATRE REVIEW

ONE MAN, TWO GUVNORS AT THE BIRMINGHAM HIPPODROME

Theatre Run: Monday 26 - Saturday 31 May 2014
Performance Reviewed: Monday 26 May 2014 (Press Night)

Reviewed by Kyle Pedley

Prefacing a review with a retrospective hardly seems the most succinct of approaches, but in addressing One Man, Two Guvnors, it seems prudent to draw attention to a perspective I offered whilst discussing Michael Frayn’s seminal farce Noises Off last year: 

MILONGA - THEATRE REVIEW

MILONGA AT THE BIRMINGHAM HIPPODROME (International Dance Festival Birmingham)

Theatre Run: Friday 23 - Saturday 24 May 2014
Performance Reviewed: Friday 23 May 2014 (Press Night)

Reviewed by Kyle Pedley

The International Dance Festival Birmingham 2014 draws it’s main stage performances to a close this year with Sidi Larbi Cherkaoui’s Milonga, a suitably showy finale that crackles with the fire, complexity and frisson of Argentine Tango and dance. It leans not on narrative  but rather it’s extraordinarily diverse and inquisitive choreographer’s penchant for really exploring and re-imagining different forms of dance, here creating a real tapestry and canvas of tango that is many things at once, but all beautifully choreographed and masterfully performed.

LORD OF THE FLIES - THEATRE REVIEW

LORD OF THE FLIES AT THE BIRMINGHAM HIPPODROME (International Dance Festival Birmingham)

Theatre Run: Wednesday 14 - Saturday 17 May 2014
Performance Reviewed: Thursday 15 May 2014 (Press Night)

Reviewed by Kyle Pedley

William Golding’s magnum opus, Lord of the Flies, remains one of the continuing tentpoles of English Literature, and naturally has thus been adapted to stage and screen in almost every possible iteration imaginable. The simplicity of it’s tale - a group of schoolboys find themselves deserted on a remote island and gradually resort to feral, primitive behaviour as they fight to survive - remains as potent as ever, and it’s exploration of the human condition, societal structure and innate feral regression makes it rich for dramatisation and adaptation across a wealth of different mediums and forms. It is exciting, then, to see it given such a biting, inventive and quite boldly visceral re-imagining, courtesy of acclaimed choreographer and dance director Matthew Bourne, as part of this years International Dance Festival Birmingham.