Showing posts with label Murder Mystery. Show all posts
Showing posts with label Murder Mystery. Show all posts

Wednesday, 18 June 2014

DESIGN FOR MURDER - THEATRE REVIEW





DESIGN FOR MURDER AT THE WOLVERHAMPTON GRAND THEATRE

Theatre Run: Tuesday 17 - Saturday 21 June 2014
Performance Reviewed: Tuesday 17 June 2014 (Press Night)

Reviewed by Kyle Pedley

PLEASE NOTE: There is a lack of supplemental images in this review due to there being no production stills of Design for Murder available.

ID Plays’ Summer Season 2014 at the Wolverhampton Grand continues this week with Design for Murder, a self-proclaimed ‘psychological drama’ as opposed to the more atypical murder mystery mould it’s title may first evoke. After a mixed audience and critical response to the season’s first show, Ladies in Retirement, it is encouraging to see ID springing back to form with a cracking, twisty-turny evening of drama, intrigue and even the odd giggle. Design for Murder may not be anything the estates of Conan Doyle or Christie need worry about, but it is nonetheless a consummately entertaining piece of theatre that is genuinely intelligent in places, has the decency to not take itself too seriously and offers enough U-turns and revelations to keep even the most ardent Marple enthusiast second guessing right up until the end.

Tuesday, 4 February 2014

BLACK COFFEE - THEATRE REVIEW




BLACK COFFEE AT THE WOLVERHAMPTON GRAND THEATRE

Theatre Run: Monday 3 - Saturday 8 February 2014
Performance Reviewed: Monday 3 February 2014 (Press Night)

Reviewed by Kyle Pedley


Black Coffee serves as a most welcome blending of the familiar with the fresh; the archetypal components of any Agatha Christie murder mystery of this ilk - the isolated country estate, an ensemble of questionable types amongst the well-to-do, more red herrings than you can twizzle a preened moustache at - are all present and accounted for, and yet in being the only stage work of Christie’s to feature her now seminal Belgian super sleuth Hercule Poirot, it feels a somewhat more distinct and special affair. Newcomer to the role yet established veteran of stage and screen Robert Powell channels David Suchet’s oft-imitated yet never bettered work in the role complimented with a charm and presence of his own, finding in both the character and play as a whole just enough bonhomie and bounce to keep the whole proceeding suitably entertaining and amusing without undermining the grizzly business of unravelling a typically obscure yet progressively accessible Christie plot of murder most foul.

Saturday, 13 July 2013

THE PLAY THAT GOES WRONG - Theatre Review




THE PLAY THAT GOES WRONG AT STUDIO TWO, TRAFALGAR STUDIOS LONDON

Theatre Run: Until 20th July (Trafalgar Studios, London), 31 July - 26 August (Pleasance Courtyard, Edinburgh)
Performance Reviewed: Friday 12 July, 7:45pm

Reviewed by Kyle Pedley


The Play That Goes Wrong is quite simply brilliant.


And whilst that may be an uncharacteristically succinct and to-the-point opener, it is perfectly in keeping with the brilliantly resourceful and hilariously efficient job the team at Mischief Theatre do with this relentlessly funny slice of comedic farce. 

Wednesday, 29 May 2013

THE MOUSETRAP - THEATRE REVIEW



THE MOUSETRAP AT THE WOLVERHAMPTON GRAND THEATRE

Theatre Run: Monday 27 May - Saturday 1 June 2013
Performance Reviewed: Tuesday 28 May

Reviewed by Kyle Pedley

As one of her most prolific and familiar works, The Mousetrap is quintessential Agatha Christie fare and for those few who are not already familiar with the production or its story, they should nonetheless have a good idea of what to expect going in. A group of assorted strangers stranded in a stately guest home, each bringing their own particular brand of suspicion and secrets to the fray, links to a tragedy of yesteryear and a much more recent strangling nearby, enough red herrings and twists to keep Marple or Poirot on their feet, it remains in many ways the archetypal and definitive murder mystery experience, and yet one that has defied the odds (Christie herself initially predicted the show would only last 8 months) and evolved into something of a curious, almost inexplicable paradox and enigma in and of itself - a murder mystery play with a single outcome that has nonetheless gone on to become the longest running show of any kind anywhere in the world. Ever. And now, as a further testimony to its longevity and success it is being celebrated with this diamond anniversary production, which itself is quite surprisingly the first time the show has toured the UK.